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Savage Mountain Creative Writing Workshop for High School Students June 20-24, 2005 Pulling Stories From the Air: In this workshop, we will first invent a character, and he/she will belong to you. Then we will find your character's story, and get you to write it. We'll do this as a way of exploring what it is that fiction writers do, how they make people up, how they shape a story, how they let luck factor in, how they think about sentences, how they take the raw clay of a first draft and shape it into something beautiful or terrifying. We'll use examples, exercises, and your own work. Work Sample: After cake and ice cream, the guests in their painted
smiles and polka dot attire settle in to watch the man they've hired to
entertain them. An actuary analyst! So much better, already, than last
year's accountant or the year-before-that's linguistics scholar. In his
narrow dark tie and shirt sleeves he opens his briefcase of tricks, produces
an over-large ledger sheet and pencil, and, while the clowns watch open-mouthed,
calculates a number of profitable, competitive insurance premium levels
while determining the amount of cash reserves needed to assure payment
of benefits and then, before they can even catch their breath, withdraws
a dozen manila envelopes and reviews employee claims activity to see if
premiums are adequate to cover losses. Hurrah! They laugh when he extracts
a large seltzer bottle, lifts it high, and uses it to water down his scotch,
because, he explains, Jill thinks he is drinking a little too much lately,
though he can quit anytime he wants, and with a flourish he sets up a
cardboard bar and sits at it and lights a cigarette and runs his hands
through his hair, opens his wallet to a picture of Jill, who (surprise!)
left him last week, the kids, still in their braces, and while his magic
In-Box slowly fills itself and after he breaks five pencils with one hand,
out come the skinny balloons which he deftly twists into a variety of
shapes, including the 5-alpha reductase enzyme that is causing both his
baldness and that little twinge in his prostate, and the Q-shaped ulcer
growing in his duodenum. He leaves one balloon uninflated, but won't talk
about it. The clowns are not, he tells them, his therapist, and he never
liked them anyway. The clowns cheer and laugh; this is so much better
than anything, despite the bite of pathos they feel as the man cries now,
sobbing into his open palms, and the clowns all know, know in their hearts,
that this funny sad man is really laughing on the inside.
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